Las óleos de todo Asher Brown Durand

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51373

Sketchbood

mk218 Graphite on paper in bound volume

51379

Sorrento

mk218 1841 21.9x28.9cm

62534

Springfield Township

d. 1886, Maplewood) Kindred Spirits 1849 Oil on canvas, 117 x 92 cm Public Library, New York Asher B Durand, who was a leading figure in the 'Hudson River School' of American landscapists, painted Kindred Spirits in memory of his fellow painter Thomas Cole (1801-1848). He painted Cole and the poet William Cullen Bryant standing on a rock over a ravine in the Catskills sharing a moment of communion with the visible world and its creator. Author: DURAND, Asher Brown Title: Kindred Spirits Form: painting , 1801-1850 , American , landscape

51372

Staubbach

mk218 1840 Graphite on paper in bound volume

51326

Strawberrying

mk218 1854 Oil on canvas 34x51in

51408

Study for Landscape Composition

mk218 c.1848 25.6x35.9cm

51392

Study form Nature,Hoboken,new jersey

mk218 27.9x36.2cm Oil on canvas

51323

Study from Nature rocks and trees in the Catskills

mk218 c.1856 Oil on canvas 54.6x43.2cm

51328

Study from Nature Trees,Newburgh,

mk218 New York 1849 Oil on canvas 56.2x45.7cm

51427

Study from Nature,Bronxville

mk218 1856 Oil on canvas 42.5x61cm

51385

Study from Nature,Stratton Notch,Vermont

mk218 1853 Oil on canvas 45.7x60.3cm

3960

Study from Rocks and Trees

1853 The Warner Collection

51425

Study of a Rock

mk218 undated Oil on canvas 42.5x56cm

73038

Study of a Rock

"Study of a Rock," oil on canvas, by the American artist Asher Brown Durand. 42.5 cm x 56 cm (16 3/4 in. x 22 1/16 in.) Courtesy of the Yale University Art Gallery, Yale University, New Haven, Connecticut. cjr

87371

Study of a Wood Interior

oil on canvas mounted on panel, 16 3/4 x 24 in. (42.5 x 61 cm) Date c. 1855(1855) cjr

92194

Study of a Wood Interior

oil on canvas mounted on panel, 16 3/4 x 24 in. (42.5 x 61 cm) Date c. 1855(1855) cyf

51325

Study of fallen tree trunks,Bolton,Lake George

mk218 New York 1863 31.1x47cm

51443

Study of Rocks with Trees.Hague,Lake George

mk218 New York 1862 30.8x47.3cm

51324

Study of Trees and Rocks,kaaterskill Clove

mk218 New York 1850 Graphite on gray-green paper 35.2x25.3cm

51430

Study Woodland interior

mk218 c.1854 Oil on canvas 60.1x42.7cm

3964

Summer Afternoon

51355

Sunday Morning

mk218 1839 Oil on canvas 64.1x92cm

51440

Sunday Morning

mk218 1860 Oil on canvas 71.4x107cm

3958

The Beeches

1845 Musee des Beaux Arts, Carcassonne

51402

The Beeches

mk218 1845 Oil on canvas 153.4x122.2cm

84260

The Beeches

Oil on canvas, 60-3/8 x 48-1/8 in Date 1845(1845) cyf

51436

The Catskills

mk218 1859 Oil on canvas 158.1x128.3cm

51331

The Colonmade in Elysian Fields

mk218 Caxton Press 1895

39279

The Croyon

mk146 Oil on canvas Jan. 17 1855

51341

The Durand Children

mk218 1832 Oil on canvas 92.7x73.7cm

51442

The Edge of the Forest

mk218 1871 Oil on canvas 199.4x162.5cm

51357

The Evening of Life

mk218 1840 Oil on canvas 125.4x211.8cm

39066

The First Harvest in the Wilderness

mk140 1855 Oil on cnavas 80.3x122cm

51419

The First Harvest in the Wilderness

mk218 1855 Oil on canvas 80.3x122cm

71840

The First Harvest in the Wilderness

ca. 1855(1855) Oil on canvas 80.3 x 122 cm (31.61 x 48.03 in)

51399

The Indian-s Vespers

mk218 1847 Oil on canvas 117.2x158.1cm

51356

The Morning of Life

mk218 1840 Oil on canvas 126x213.7cm

51351

The Pedlar

mk218 1836 Oil on canvas 61x87.6cm

91046

The Sketcher

on canvas, Height: 53.34 cm (21 in.), Width: 132.08 cm (52 in.) Date 1870(1870) cyf

51369

The Solitary oak

mk218 1844 Oil on canvas 36x48in

51400

The Stranded Ship

mk218 1844 Oil on canvas 94x129.5cm

51366

The Study,Windosor Park,England

mk218 1840 Pencil on paper 36.5x25.7cm

51354

Thomas Cole

mk218 c.1837 Oil on canvas 77.8x65.1cm

51407

Trees by the Brookside,Kingston

mk218 New York c.1846 Oil on canvas

51377

Twoil

mk218 1841 Grphite on paper in bound volume 28.6x44.1cm

45223

Verwandte Seele

mk181 1849 New York

45197

Verwandte Seelen

mk181 1849 New York The New York Public Library

51422

View of the Shandaken Mountains

mk218 1853 Oil on canvas 35.9x56.5cm

3961

White Mountain Scenery

3965

White Mountain Scenery

51435

White Mountain Scenery,Franconia Notch

mk218 1857 Oil on canvas 122.6x181.6cm

84188

Wilderness

oil on canvas. Date 1855(1855) cyf

51330

William Cullen Bryant

mk218 c.1854 Oil on canvas 76.5x63.8c,

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Asher Brown Durand

1796-1886 Asher Brown Durand Galleries His interest shifted from engraving to oil painting around 1830 with the encouragement of his patron, Luman Reed. In 1837, he accompanied his friend Thomas Cole on a sketching expedition to Schroon Lake in the Adirondacks and soon after he began to concentrate on landscape painting. He spent summers sketching in the Catskills, Adirondacks, and the White Mountains of New Hampshire, making hundreds of drawings and oil sketches that were later incorporated into finished academy pieces which helped to define the Hudson River School. Durand is particularly remembered for his detailed portrayals of trees, rocks, and foliage. He was an advocate for drawing directly from nature with as much realism as possible. Durand wrote, "Let [the artist] scrupulously accept whatever [nature] presents him until he shall, in a degree, have become intimate with her infinity...never let him profane her sacredness by a willful departure from truth." Like other Hudson River School artists, Durand also believed that nature was an ineffable manifestation of God. He expressed this sentiment and his general views on art in his "Letters on Landscape Painting" in The Crayon, a mid-19th century New York art periodical. Wrote Durand, "[T]he true province of Landscape Art is the representation of the work of God in the visible creation..." Durand is noted for his 1849 painting Kindred Spirits which shows fellow Hudson River School artist Thomas Cole and poet William Cullen Bryant in a Catskills landscape. This was painted as a tribute to Cole upon his death in 1848. The painting, donated by Bryant's daughter Julia to the New York Public Library in 1904, was sold by the library through Sotheby's at an auction in May 2005 to Alice Walton for a purported $35 million. The sale was conducted as a sealed, first bid auction, so the actual sales price is not known. At $35 million, however, it would be a record price paid for an American painting at the time.

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